Dave Ball, one half of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.
Alongside singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a classic of synth-pop.
He later formed the pioneering electronic act The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.
Ball died calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.
At that performance, Ball appeared in a wheelchair, as he had for the last two years, after a spate of ill-health.
"I ended up injure myself significantly," he stated in a recent interview. "I broke lower vertebrae in my back and fractured about five ribs and broke my arm."
Following catching pneumonia and suffering from blood poisoning, he was placed in an medically-induced sleep and remained in hospital for half a year.
Nevertheless, he had been in "a great place mentally" during the warmer months, as he worked on a fresh record with Almond, titled Danceteria, which is set for release next year.
"He was focused and so happy with the latest project that we actually finished only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was all set to be such an uplifting year for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a masterpiece."
Almond described his collaborator as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.
"Many thanks Dave for being an immense aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."
His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".
"Being in a partnership with someone is different from being in a band, the connection is very tight," he added.
"That was the case with us. We went through so many remarkable, incredible, memorable moments together. Many thanks, Dave."
Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.
He was raised in the seaside town with his new family his caregivers, who altered his first name from Paul to his adopted name, together with his sibling his sister, who was similarly welcomed.
He encountered Almond at an art college in 1977, where they were both studying fine arts. Inspired by a shared love of Northern Soul, they established Soft Cell the very year, and quickly recorded an extended play.
The pair were an distinctive combination: Ball was the quiet technician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and eye-liner; but they achieved a unique musical alchemy.
Ball had cultivated a interest with electronic instruments after viewing the band Kraftwerk perform on a television science show a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was writing.
Their signature song became the UK's second most popular song of 1981, selling millions of units worldwide. Together with hits by other artists, contemporary bands and Ultravox, it helped cleared the path for the synth-pop sound of the 80s.
The song was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.
They continued the record up with the stand-alone single, Torch, which peaked at number two in the following year.
Fame had its upsides. "I loved being able to afford my initial property, having money and travelling, which makes me sound like a Miss World," Ball recently shared with a music magazine.
But it also caused challenges. "Sudden riches allowed we could purchase newfound drugs to relieve the monotony" of media interviews and television shows, Ball explained.
"I know that's a common saying, but it's a cliché for a valid cause, because it applies for so many bands."
Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to produce a follow-up classic album - the wayward, tense and fittingly named The Art Of Falling Apart.
They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the band to focus on other projects.
Almond went on to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a enduring partnership.
Soft Cell reunited in the early 2000s, producing the charting album Cruelty Without Beauty.
After a further hiatus, they reappeared in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on 30 September, 2018.
However, they stayed together, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.
Ball recently characterized the band's new album as a homage to the NYC nightlife they visited while recording their first two albums.
He noted that his time in hospital had influenced the group's music.
"I had strange recollections when I was in and out of hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a digital reflection of the sounds in my mind from that time.
"In parallel, it's about the experiences we had in the 80s."
The last versions were finished only a short time before Ball died. It is due for launch in Spring 2026.
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